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Tate Modern Exhibition

Open Systems Rethinking Art c.1970

1 June – 18 September 2005

Braco Dimitrijević, The Casual Passer-By I Met at 11.28 am, London, October 1972 1972. Tate. © Braco Dimitrijevic.

Braco Dimitrijević
The Casual Passer-By I Met at 11.28 am, London, October 1972 (1972)
Tate

© Braco Dimitrijevic

Open Systems: Rethinking Art c.1970 brings together the work of international artists who radically rethought the object of art in the late 1960s and 1970s. The featured artists sought to connect with the increasingly urgent political developments of the decade and make their work more responsive to the world around them. Building on the structures of Minimalism and Conceptualism, they reacted against art's traditional focus on the object by adopting experimental aesthetic 'systems' across a variety of media including photography, dance, performance, painting, installation, video and film.

The exhibition includes key installations from the period and works by the following artists:

  • Bas Jan Ader
  • John Baldessari
  • Mel Bochner
  • Alighiero e Boetti
  • Marcel Broodthaers
  • Lygia Clark
  • Braco Dimitrijevic
  • Valie Export
  • Robert Filliou
  • Gilbert & George
  • Dan Graham
  • Hans Haacke
  • Eva Hesse
  • Sanja Ivekovic
  • Joan Jonas
  • Donald Judd
  • Ilya Kabakov
  • Sol LeWitt
  • Richard Long
  • Mangelos
  • Gordon Matta-Clark
  • Cildo Meireles
  • Bruce Nauman
  • Hélio Oiticica
  • Adrian Piper
  • Charles Ray
  • Gerhard Richter
  • Martha Rosler
  • Robert Smithson
  • Andy Warhol

Tate Modern

Bankside
London SE1 9TG
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Dates

1 June – 18 September 2005

Sponsored by

Individual American Patrons and Exhibition Patrons of Tate

Individual American Patrons and Exhibition Patrons of Tate

In partnership with

Times Newspapers Ltd

Times Newspapers Ltd

Find out more

  • Hélio Oiticica: The Body of Colour

    Hélio Oiticica: The Body of Colour: Press related to past exhibition.

  • Richard Long Slate Atlantic 2002 Installation view at Tate St Ives 2002

    Richard Long

    Richard Long past Tate St Ives exhibition

  • Bruce Nauman - Make Me Think Me

    Bruce Nauman - Make Me Think Me: Press related to past exhibition.

  • The Unilever Series: Bruce Nauman

    The Unilever Series: Bruce Nauman: Press related to past exhibition.

  • Gerhard Richter Tate Modern exhibition banner

    Gerhard Richter: Panorama

    Gerhard Richter: Panorama major retrospective exhibition grouping together significant moments of the artist’s remarkable career. Tate Modern

  • Alighiero Boetti exhibition at Tate Modern

    Alighiero Boetti: Game Plan

    2012 exhibtion at Tate Modern of artist and key member of the Arte Povera group, Alighiero e Boetti

  •  
     

    Gilbert & George

    Gilbert & George in conversation about their work.

  • Eva Hesse

    Explore the work of one of the most important sculptors of the late 20th century, Eve Hesse. Tate Modern 13 November 2002 – 9 March 2003

  • Donald Judd Untitled 1984

    Donald Judd

    Donald Judd, Tate Modern

  • Exhibition banner for Cildo Meireles at Tate Modern

    Cildo Meireles

    Cildo Meireles; past exhibition at Tate Modern

  • Robert Smithson at Pentre Ifan dolmen, Wales 1969

    Nancy Holt and Robert Smithson in England, 1969

    Nancy Holt and Simon Grant1

    Robert Smithson, best known for his Land Art piece Spiral Jetty, and Nancy Holt, best known for her work Sun Tunnels, were both fascinated by man’s imprint on the natural landscape. They often travelled together and documented their work – and themselves – in photographs. In 1969 they took an important journey through England and Wales visiting sites that resonated with their practice, ranging from ancient ruins and landscaped gardens to wild natural places. For the first time, Holt reflects on the trip and its influence on their art

  • Robert Smithson spiral Jetty April 1970, Great Salt Lake, Utah

    Psychosis and the Sublime in American Art: Rothko and Smithson

    Timothy D. Martin

    This paper addresses the work of Mark Rothko (1903–1970) and Robert Smithson (1938–1973), and, referring to the philosopher Kant and psychoanalyst Lacan, discusses how the sublime can have a psychotic aspect. It argues that Kant’s categorical imperative, for all its attempts to exclude self-interest and the pathological aspects of the hypothetical imperative, establishes a frame not only for sublime aesthetic experience but also for psychotic delusion.

  • Hans Haacke Norbert: ‘All Systems Go’ 1970–1

    All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’

    Luke Skrebowski

    Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, is little known today. Recovering, reprising and reassessing his work produces a richer reading of art production c.1970. It also suggests an alternative genealogy of contemporary practice.

  • Artist

    John Baldessari

    1931–2020
  • Artist

    Mel Bochner

    born 1940
  • Artist

    Alighiero e Boetti

    1940–1994
  • Artist

    Marcel Broodthaers

    1924–1976
  • Artist

    Lygia Clark

    1920—1988
  • Artist

    Braco Dimitrijević

    born 1948
  • Artist

    VALIE EXPORT

    born 1940
  • Artist

    Gilbert & George

    born 1943, born 1942
  • Artist

    Dan Graham

    1942 – 2022
  • Artist

    Hans Haacke

    born 1936
  • Artist

    Eva Hesse

    1936–1970
  • Artist

    Sanja Iveković

    born 1949
  • Artist

    Joan Jonas

    born 1936
  • Artist

    Donald Judd

    1928–1994
  • Artist

    Ilya Kabakov

    1933 – 2023
  • Artist

    Sol LeWitt

    1928–2007
  • Artist

    Richard Long CBE

    born 1945
  • Artist

    Mangelos (Dimitrije Bašicevic)

    1921–1987
  • Artist

    Cildo Meireles

    born 1948
  • Artist

    Bruce Nauman

    born 1941
  • Artist

    Charles Ray

    born 1953
  • Artist

    Gerhard Richter

    born 1932
  • Artist

    Robert Smithson

    1938–1973
  • Artist

    Andy Warhol

    1928–1987
  • Artwork

    The Casual Passer-By I Met at 11.28 am, London, October 1972

    Braco Dimitrijević
    1972
Artwork
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